Lara Hohmann | Scenography & Costume design
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"Rettet den Kapitalismus" 2021
Regie: Heinz Simon Keller
Text: Ulrike Jannsen
Musik: Michael Barfuss
Video: Nazgol Emami
Kostüm und Bühne: Lara Hohmann
Regieassistenz: Lena Olivier
Technik: Tom Thöne, Paul Hollstein
Mit: Victor Maria Diderich, Philipp Joerres, Matthias Lühn, Gareth Charles, Mira Wickert, Gleb Tchepki
Fotos von Ingo Solms
https://theater-der-keller.de/programm/rettet-den-kapitalismus
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`LIEBE ET CETERA´2021
Text und Regie: Emanuel Tandler
Kostüm und Bühne: Lara Hohmann
Dramaturgie: Male Günther
Licht: Ewa Górecki
Regieassistenz: Maximilian Immendorf
Mit: Markus Bachhmann, Sandrine Zenner, Ursula Grossenbacher, Wilhelm Eilers
Fotos von Thilo Beu
https://www.theater-bonn.de/de/programm/liebe-et-cetera-ua/181475#tl-gallery-1
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'Das süße Verzweifeln' 2020
Eine Privatkomödie nach Interviews von André Müller
Bearbeitung und Regie: Emanuel Tandler
Kostüm&Bühne: Lara Hohmann
Dramaturgie: Ulrike Janssen
Regieassistenz: Kathrin Gölz
Mit: Matthias Lühn, Melanie Lüninghöner, Philipp Sebastian, Susanne SeuffertVideo André Müller vs. Alice Schwarzer
Alice Schwarzer: Laura Sundermann
Kamera & Konzept: Krzysztof Honowski
Ton & Licht: Timothy Bidwell
Maske: Melanie Viswat
Bühnenaufzeichnung & Trailer
Kamera: Timothy Bidwell & Sandra Riedmairhttps://theater-der-keller.de/programm/das-suesse-verzweifeln
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"KING KONG UND DER ALTE WEISSE MANN" 2020
Regie: Robert GerloffBühne: Maximilian LindnerKostüme: Lara HohmannMusikalische Leitung: Imre Lichtenberger-BozokiChoreografie: Zoë Knights
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"Faust" 2020
Regie: Robert GerloffBühne: Maximilian LindnerKostüme: Lara HohmannMusik: Cornelius BorgolteChoreographie: Mirjam KlebelDramaturgie: Jonas HennickeSchauspieler: Agnes Kammerer, Rebecca Seidel, Jens Ochlast, Johannes Schumacher, Helen WendtTobias Schormann, Katharina Shakina, Manuel Thielen, Bernhard Schmidt-Hackenberg, Antonia RinkelFotos: Stephan WalzlOldenburgisches Staatstheater 2020
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"Bombe spricht" 2019
Künstlerische Leitung: Yoshiko Waki, Rolf Baumgart, Angelika Fink, Ronen Izaki
Tänzer*in/ Performer*in: Charlotte Goesaert, Eyal Ogen, Kornelia Maria Lech, Yuval Azoulay, Ziv Frenkel, Chanania Schwarz, Erik Zarcone
Video, Musik: Lukas Zerbst
Ausstattung, Produktion: Lara Hohmann
Lichtdesign: Lennart Aufenvenne
Produktionsassistenz: Momoko Baumgart
Fotos von Pedro Malinowski
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"Antigone lives" 2018
by Susanna Fournier
direction Rikki Henry
stage Maximilian Lindner
costume Lara Hohmann
with Lilith Hässle, Lea Johanna Geszti, Nils Strunk, Thomas Lettow, Andrej Agranovski
Marstalltheater München
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"Achteruit Vooruit" 2018
Installation
Exhibited in Bochum and Maastricht
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"AION" 2017
Eline en ik, twee theatervormgevers, proberen in een beeldenvoorstelling
vat te krijgen op het geheim van de tijd. Wij onderzoeken hoe de mens de tijd manipuleert.
Er bestaat een absurde behoefte de tijd te verstillen en tegelijkertijd de tijd vooruit te zijn.
Hoe controleerbaar is de tijd echt?
Worden wij door de tijd gecontroleerd?Of is ons beeld van de tijd een zelf gemaakte illusie die ons controleert?
11.08.2017
13.08.2017
Festival Moment Tongeren
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Tijdelijke waarheid 2017
Installationproject
Lecturer Anne Habermann & Jorine van Beek
Toneelacademie Maastricht 2017
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Room of one´s own 2017
by Sofie Porro en Tim de Paepe
Music Mark Alberto
Stage and costume design Lara Hohmann
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A mIdsummer night´s dream 2016
by William Shakespear
Design project for stage and costume
lecturer costume Erika Landertinger
lecturer stage Martin Kukulis
Toneelacademie Maastricht 2016
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White Matter 2016
Videoinstallation
Lecturer Quirine Racke and Helena Muskens
Toneelacademie Maastricht 2016
The work is a collage of moving images and audio voices.‘White matter’ is about sexual identity and the unresolvable conflict
between physical attraction and moral concepts.“I honestly started questioning myself: how tolerant am I?
That led me to the confronting topic of sexual attraction towards children.
I feel the tragic of the impossibility to find an equal sexual partner.
Everyone feels the need for physical contact and what is a life without it?
But at the same time I am aware of the oppressive feeling
that the whole topic evokes in me. Children are seen as the innocent beings
in our society. We feel the strong need to protect them.
And maybe we want to know that at some point
we might have been innocent ourselves, and protect that innocence.During my research I became aware that paedophilia is something that
has always existed and will always exist, everywhere. I wanted to be not
judgemental in my work but be really open for the difficult situation of
those who feel attracted to children.
Many are only children themselves when they first find out about their
feelings towards even younger boys or girls. That showed me that there
is an overlapping grey zone, no black and white. Our identityis something
very complex, it´s moving and changing in time. “Whats the ugliest part of your body?
Frank ZappaWhat's the ugliest
Part of your body?
What's the ugliest
Part of your body?
Some say your nose
Some say your toes
(I think it's your mind)
But I think it's YOUR MIND
(Your mind)
I think it's your mind, woo woo
ALL YOUR CHILDREN ARE POOR
UNFORTUNATE VICTIMS OF
SYSTEMS BEYOND THEIR CONTROL
A PLAGUE UPON YOUR IGNORANCE & THE GRAY
DESPAIR OF YOUR UGLY LIFE
Where did Annie go
When she went to town?
Who are all those creeps
That she brings around?
ALL YOUR CHILDREN ARE POOR
UNFORTUNATE VICTIMS OF LIES YOU BELIEVE
A PLAGUE UPON YOUR IGNORANCE THAT KEEPS
THE YOUNG FROM THE TRUTH THEY DESERVE . . .
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Aphrodite 2016
Groupexposition Erasmus Students (all departments)
Mimar Sinan Fine Art University
Istanbul 2016
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The Seagull 2014
by Anton Chekhov
Stage design project
Lecturer Johan Daenen
2014 Toneelacademie Maastricht
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"Freie Räume" 2016
"Freie Räume" 2016
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Lara Hohmann ©